Hawa Mahal Jaipur

The renowned 'Palace Of The Winds', or Hawa Mahal, is one of the prominent tourist attractions in Jaipur city. Located in the heart of Jaipur, this beautiful five-storey palace was constructed in 1799 by Maharaja Sawai Pratap Singh who belonged to Kachhwaha Rajput dynasty. The main architect of this palace built of red and pink sandstone, is Lal Chand Ustad and the palace is believed to have been constructed in the form of the crown of Krishna, the Hindu god. Considered as an embodiment of Rajputana architecture, the main highlight of Hawa Mahal is its pyramid shape and its 953 windows or 'Jharokhas' which are decorated with intricate designs. The main intention behind the construction of the Mahal was to facilitate the royal women and provide them a view of everyday life through the windows, as they never appeared in public. Read further to know more about Hawa Mahal, its history, architecture and its visiting hours.

History & Later Developments
Maharaja Sawai Pratap Singh, grandson of the great Maharaja Sawai Jai Singh who built Jaipur, constructed the Hawa Mahal in 1799. He was so impressed with the Khetri Mahal built by Maharaja Bhopal Singh in the town of Jhunjhunu, Rajasthan that he embarked on constructing the Hawa Mahal that today stands as a remarkable gem of Rajput style of architecture. It was built as an extension of the Royal City Palace and leads to the zenana or women's chambers. One of the main reasons of constructing this beautiful mahal decorated with fine lattice windows and screened balconies was to facilitate the royal Rajput women, who otherwise followed the strict Purdah system and refrained from appearing in public, in getting a glimpse of the daily events, royal processions and festivals taking place on the streets. This way they could enjoy their sense of freedom while maintaining their customs.

Architecture & Design of Hawa Mahal
The architect of this unique five-storied pyramidal palace with a height of 15 m from its elevated base was Lal Chand Ustad. The design of the building showcases an excellent blend of Hindu Rajput architecture with that of the Islamic Mughal architecture. The former style is palpable from the fluted pillars, floral patterns and domed canopies while the arches and stone inlay filigree work are manifestations of the latter style.
Keeping in line with other famous landmarks of the city, which is aptly tagged as the ‘Pink City’, this monument was built with red and pink sandstones. Maharaja Sawai Pratap Singh’s devotion towards Lord Krishna is manifested from the design of the structure of the palace that resembles the crown of the Lord. Although not exactly a palace, it looks like one from the street. The façade of the building intricately carved with beautiful motifs is cognate to that of the honeycomb of a beehive. Several potholes of the structure each having small lattice windows, chiselled sandstone grill and decorated domes give the building a look of a mass of semi-octagonal bays. There are a total of 953 elaborately carved jharokhas or windows, some of which are made of wood. These jharokhas were build in such a manner that air circulates naturally through them creating Venturi effect (doctor breeze) thus air conditioning the entire structure during the hot summers. Each jharokha has a small chamber where one can sit and view the street. Fountains at the middle of each chamber complimented well with the light wind flowing through the jharokhas thus enhancing the cooling effect of the chambers.

The brilliantly conceived design, style and construction of the mahal made it the favourite resort of Maharaja Jai Singh and became famous as his masterpiece. An imperial door from the city palace side leads to the entrance of the Hawa Mahal. Three two-storied buildings enclose a large courtyard on three sides with the Hawa Mahal located on its eastern side. The courtyard presently houses an archaeological museum. The interior of the mahal consisting of chambers as also passages and pillars leading to the top storey is however quite plain and simple compared to the ornamented exterior. The width of the top three storeys is that of a single room while the first two storeys have courtyards. There are no stairs in the building and top storeys can be reached only by ramps.